This is Cameron Doucette at the keyboard, prisoner and scene shifter for Far Away:
My interaction with theatre production has, up until this point, revolved primarily around acting, and usually never much more. It’s not as though I hadn’t considered working the technical aspects of the show or didn’t appreciate their contribution to the piece as a whole, it’s simply that my passion has always been on-stage, under the lights as opposed to backstage, trying to avoid them. So when I was asked to help shift scenery in Far Away, I was confronted with a first: I was now working behind-the-scenes rather than as part of the visible action. Not to say that actors don’t pick up a basket or two on their way to Stage Left or set up a chair to sit on when the lights come up, but for the most part any shifting I do is both minor and temporary. To be honest, I didn’t really know what to expect.
What I was faced with was an environment that was completely team-oriented. Shifting requires knowing where and when everyone is on stage. It requires a full awareness of the eventual goal to be met and how that goal will be reached in the minute you have to achieve it. In order to have a smooth transition, each member must work like a cog in a machine: accomplishing their assigned duty with efficiency and consistency. As a result, you come to know your squad well and learn to trust that they’ll be where they need to be on time. Your success or failure is inexorably linked to your performance as a group. In this way, I began to view the crew as a family of sorts, a team bound by unstated trust, ready to tackle any problems that might arise.
Now that ”Far Away” has come to a close, I for one know what I’ll be taking away with me. Certainly, I can’t help but absorb some of the show itself, but what I’ll truly remember about my experience this time around will be the wonderful shifters with whom I have developed so much trust and a greater respect for what happens in-between the scenes.
